Wednesday, October 15, 2014
The Accidental Masterpiece: Maximizing Your Time
I'm beginning to lose track of which chapter I'm on in the book...five? Six? I take that as a good thing, of course. If your primary concern while reading a book is what chapter you're on, there's a problem you need to fix. At any rate, this chapter of Kimmelman's The Accidental Masterpiece dealt with the ways artists try to "Maximize Their Time." Kimmelman took a more literal view of this idea, discussing artists like Jay DeFeo and Eva Hesse, who were both terminally ill and died before their times, and Charlotte Salomon, a Jewish artist who died in Auschwitz after years of hiding (albeit in plain sight) in the French Riviera. That aside, Kimmelman spent a noteworthy amount of time on the more metaphorical meaning of the statement. I took this figurative view - to me, "maximizing your time" when it comes to art means making sure your art will be there for posterity in the eons after you've gone. One point Kimmelman makes early on, about the "eternal attraction" of art, made me think of my old pal Tolkien. I've learned from documentaries I've seen on Tolkien's writing (yes, there are documentaries on Tolkien, and I have watched them), which included interviews with his children, that he didn't have any set influence for many of the elements in his book. The descriptions were inspired by his own experiences, of course, but there was nothing he had in mind for the themes. For instance, the Black Land of Mordor isn't based on the possibility of nuclear war, or Nazi atrocities, or the Soviet regime, or anything of that sort. Mordor is based on whatever the reader thinks it's based upon. There is no wrong view, because Tolkien didn't have a view (which would therefore be considered the "right" view). Anybody - literally, anybody - can assign their own meaning to what Mordor, or the Elves, or the Men, or any of the other elements in Tolkien's works is representative of. And they'll be right every time. That's a big chunk of what makes Tolkien's work so endearingly popular - anybody, in any time period, can find meaning in his work. And as such, Tolkien's works will live on until the end of civilization. Or until people stop reading books...which is the same thing as a societal collapse, if you ask me.
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A very interesting post.
ReplyDeleteI suppose Tolkien might not have had a conscious set of themes/aims/influences, but I wonder if there were subconscious choices being made which helped to set the course of the LoTR.
The other day in class we chatted briefly about the nature of the duality of language - how there are very few words that don't rely on the opposite for meaning - i.e., slow, fast, big, small. There are, however, two words to my mind that don't have an opposite, and those words are God and Time. What do you think?
Luke
I think you're definitely right on this. As we discussed in class, Satan isn't the opposite of God. What Satan stands for is the opposite of what God stands for, of course, but that doesn't make the two of them opposites. Rather, they're different sides of the same coin - different, yet alike. And time? Time is just time. We have no feasible way to reverse it or to cancel out its effects. All we know about changing time is theoretical. It'll be a long time before we figure anything along those lines out. And even then, it won't be the opposite of time. It won't even be something along the lines of Satan and God. Time is simply time.
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